{"id":3241,"date":"2025-10-28T15:08:21","date_gmt":"2025-10-28T15:08:21","guid":{"rendered":"https:\/\/veckotidningen.se\/?p=3241"},"modified":"2025-10-28T15:08:59","modified_gmt":"2025-10-28T15:08:59","slug":"ukrainsk-stjarnkoreograf-presenterar-ny-stor-balett-i-kopenhamn","status":"publish","type":"post","link":"https:\/\/veckotidningen.se\/?p=3241","title":{"rendered":"Ukrainsk stj\u00e4rnkoreograf presenterar ny stor balett i K\u00f6penhamn"},"content":{"rendered":"<p>&nbsp;<\/p>\n<blockquote><p>Fugans konst<span dir=\"auto\"> har \u00e4ntligen sin v\u00e4rldspremi\u00e4r\u00a0 i K\u00f6penhamn<\/span><\/p><\/blockquote>\n<h4><span dir=\"auto\">L\u00f6rdagen den 1 november \u00e4r det v\u00e4rldspremi\u00e4r f\u00f6r\u00a0\u00a0<\/span><em><span dir=\"auto\">Fugans konst<\/span><\/em><span dir=\"auto\">\u00a0\u2013 en ny, storslagen balett skapad av den v\u00e4rldsber\u00f6mde ukrainska koreografen Aleksej Ratmanskij till Johann Sebastian Bachs legendariska och ofullbordade verk\u00a0<\/span><em><span dir=\"auto\">Die Kunst der Fuge<\/span><\/em><span dir=\"auto\">\u00a0(\u00a0<\/span><em><span dir=\"auto\">Fugans konst)<\/span><\/em><span dir=\"auto\">\u00a0.<\/span><\/h4>\n<h4><span dir=\"auto\">\u201dPj\u00e4sen \u00e4r inte politisk\u201d, s\u00e4ger Aleksej Ratmanskij, \u201dmen jag till\u00e4gnar den Ukraina \u00e4nd\u00e5.\u201d\u00a0<\/span><\/h4>\n<h4><span dir=\"auto\">F\u00f6rest\u00e4llningen skulle ursprungligen haft\u00a0 premi\u00e4r i Moskva 2022, men efter Rysslands invasion av Ukraina valde Ratmanskyj \u2013 som v\u00e4xte upp i Kiev \u2013 att l\u00e4mna landet i protest. Nu slutf\u00f6r han ist\u00e4llet verket i samarbete med Den Kungliga Baletten \u2013 en konstn\u00e4rlig bedrift och en betydande v\u00e4rldspremi\u00e4r p\u00e5 Det Kongelige Teater.<\/span><\/h4>\n<h4><span dir=\"auto\">\u201dJag \u00e4r b\u00e5de hedrad och r\u00f6rd \u00f6ver att Alexei har valt v\u00e5rt kompani som sin r\u00f6st f\u00f6r en sak som har varit i s\u00e5 m\u00e5nga m\u00e4nniskors tankar de senaste \u00e5ren\u201d, s\u00e4ger balettdirekt\u00f6ren Amy Watson. \u201dMed tanke p\u00e5 det geopolitiska klimatet och alla de allvarliga och olyckliga utmaningar vi f\u00f6r n\u00e4rvarande st\u00e5r inf\u00f6r v\u00e4rlden \u00f6ver blir det bara \u00e4nnu viktigare att ett verk som detta f\u00e4rdigst\u00e4lls och m\u00f6ter sin publik.\u201d<\/span><\/h4>\n<h4><span dir=\"auto\">Ratmansky \u00e4r en av v\u00e5r tids mest eftertraktade koreografer, k\u00e4nd f\u00f6r sin f\u00f6rm\u00e5ga att f\u00f6rena den klassiska baletttraditionen med moderna, originella id\u00e9er. I\u00a0<\/span><em><span dir=\"auto\">Fugans konst<\/span><\/em><span dir=\"auto\">\u00a0skapar han en abstrakt, n\u00e4stan kosmisk balett i fem akter, d\u00e4r musikens struktur och variationer \u00f6vers\u00e4tts till ren r\u00f6relse.<\/span><\/h4>\n<h4><em><span dir=\"auto\">Fugans konst<\/span><\/em><span dir=\"auto\">\u00a0kan upplevas f\u00f6r allra f\u00f6rsta g\u00e5ngen p\u00e5 Det Kongelige Teaters Gamle Scen den 1 november.<\/span><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Fugans konst har \u00e4ntligen sin v\u00e4rldspremi\u00e4r\u00a0 i K\u00f6penhamn L\u00f6rdagen den 1 november \u00e4r det v\u00e4rldspremi\u00e4r f\u00f6r\u00a0\u00a0Fugans konst\u00a0\u2013 en ny, storslagen balett skapad av den v\u00e4rldsber\u00f6mde ukrainska koreografen Aleksej Ratmanskij till Johann Sebastian Bachs legendariska och ofullbordade verk\u00a0Die Kunst der Fuge\u00a0(\u00a0Fugans konst)\u00a0. \u201dPj\u00e4sen \u00e4r inte politisk\u201d, s\u00e4ger Aleksej Ratmanskij, \u201dmen jag till\u00e4gnar den Ukraina \u00e4nd\u00e5.\u201d\u00a0 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":3242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3241","post","type-post","status-publish","format-standard","has-post-thumbnail","category-dans"],"_links":{"self":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3241"}],"version-history":[{"count":2,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3241\/revisions"}],"predecessor-version":[{"id":3244,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3241\/revisions\/3244"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/media\/3242"}],"wp:attachment":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3241"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}