{"id":3311,"date":"2025-11-02T13:31:47","date_gmt":"2025-11-02T13:31:47","guid":{"rendered":"https:\/\/veckotidningen.se\/?p=3311"},"modified":"2025-11-06T19:33:29","modified_gmt":"2025-11-06T19:33:29","slug":"the-art-of-the-fugue-ny-varldspremiar-pa-det-konglige-teater","status":"publish","type":"post","link":"https:\/\/veckotidningen.se\/?p=3311","title":{"rendered":"The Art of The Fugue -Ny V\u00e4rldspremi\u00e4r p\u00e5  Det Konglige Teater"},"content":{"rendered":"<h4><span dir=\"auto\">Koreografen Alexei Ratmansky har koreograferat Johann Sebastian Bachs ofullbordade verk &#8217;Die Kunst der Fuge p\u00e5 ett imposant vis. Han <\/span>har skapat en dans som \u00e4r i djup symbios med Bachs musik, d\u00e4r dansare, musiker (inklusive solister p\u00e5 klaver, cembalo, m\u00e4ssing och str\u00e5kar samt k\u00f6ren Musica Ficta)\u00a0 samverkar p\u00e5 ett kraftfullt s\u00e4tt.<\/h4>\n<h4>Min egen favorit \u00e4r det svarta partiet efter paus d\u00e4r scenografin p\u00e5minner om ett romerskt palats f\u00f6r en kejsare. Ljuss\u00e4ttningen och scenografin ger ett v\u00e4ldigt pampigt intryck. Musiken i detta avsnitt best\u00e5r av en str\u00e5kkvartett som lyckas f\u00f6rmedla fugan p\u00e5 ett extraordin\u00e4rt s\u00e4tt.<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3315\" src=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01.jpg\" alt=\"\" width=\"1240\" height=\"792\" srcset=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01.jpg 1240w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01-300x192.jpg 300w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01-1024x654.jpg 1024w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01-768x491.jpg 768w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01-696x445.jpg 696w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/camillawinter-01-1068x682.jpg 1068w\" sizes=\"auto, (max-width: 1240px) 100vw, 1240px\" \/><\/p>\n<h4>Ett bevis p\u00e5 att detta \u00e4r balett i sina allra h\u00f6gsta form var drottning Margrethe och New York City Ballets nya stj\u00e4rndansare Ryan Tomash n\u00e4rvaro p\u00e5 premi\u00e4ren av &#8221;The art of Fuge&#8221; p\u00e5\u00a0 Det Kongelige Danske Teaters Gamle Scene.<\/h4>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3316\" src=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga-.webp\" alt=\"\" width=\"1600\" height=\"900\" srcset=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga-.webp 1600w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga--300x169.webp 300w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga--1024x576.webp 1024w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga--768x432.webp 768w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga--1536x864.webp 1536w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga--696x392.webp 696w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2025\/11\/fuga--1068x601.webp 1068w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Koreografen Alexei Ratmansky har koreograferat Johann Sebastian Bachs ofullbordade verk &#8217;Die Kunst der Fuge p\u00e5 ett imposant vis. Han har skapat en dans som \u00e4r i djup symbios med Bachs musik, d\u00e4r dansare, musiker (inklusive solister p\u00e5 klaver, cembalo, m\u00e4ssing och str\u00e5kar samt k\u00f6ren Musica Ficta)\u00a0 samverkar p\u00e5 ett kraftfullt s\u00e4tt. Min egen favorit \u00e4r [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[30],"tags":[],"class_list":["post-3311","post","type-post","status-publish","format-standard","has-post-thumbnail","category-dans"],"_links":{"self":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3311"}],"version-history":[{"count":3,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3311\/revisions"}],"predecessor-version":[{"id":3317,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3311\/revisions\/3317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/media\/3313"}],"wp:attachment":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}