{"id":3994,"date":"2026-03-12T23:09:47","date_gmt":"2026-03-12T23:09:47","guid":{"rendered":"https:\/\/veckotidningen.se\/?p=3994"},"modified":"2026-03-12T23:13:10","modified_gmt":"2026-03-12T23:13:10","slug":"en-comeback-for-glen-powell-efter-floppen-med-running-man","status":"publish","type":"post","link":"https:\/\/veckotidningen.se\/?p=3994","title":{"rendered":"How to make a killing -en comeback f\u00f6r Glen Powell efter floppen med running man"},"content":{"rendered":"<p>How to make a killing \u00e4r en perfekt film f\u00f6r Glenn Powell. Handlingen utspelar sig i lyxiga och &#8221;high-stakes&#8221; milj\u00f6er med fokus p\u00e5 extrem rikedom, vilket ger filmen, den d\u00e4r eleganta k\u00e4nslan som finns i en James Bond-film. Powell som har ett produktionsbolag\u00a0 \u00e4r smart. Han vet att det sv\u00e5raste att skapa och \u00e4ven bland det dyraste i ett\u00a0 filmprojekt \u00e4r ett bra manus.<img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3997 size-large\" src=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--690x1024.webp\" alt=\"\" width=\"690\" height=\"1024\" srcset=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--690x1024.webp 690w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--202x300.webp 202w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--768x1140.webp 768w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--1035x1536.webp 1035w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--1380x2048.webp 1380w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--696x1033.webp 696w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--1068x1585.webp 1068w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-2--scaled.webp 1725w\" sizes=\"auto, (max-width: 690px) 100vw, 690px\" \/><br \/>\nHan har d\u00e4rf\u00f6r letat reda p\u00e5 en film fr\u00e5n 1949 som han putsat upp .\u00a0 &#8221;<em>Filmen \u00e4r en modern tolkning inspirerad av den brittiska klassikern\u00a0Kind Hearts and Coronets (Sju hertigar) fr\u00e5n 1949.<\/em>\u00a0 Hans film hitman som bekostades av Netflix\u00a0 blev en stor hit p\u00e5 bio. Filmen budget visar ocks\u00e5 att man kan g\u00f6ra en bra film f\u00f6r lite pengar. How to make a killing kostade 15 miljoner dollar och floppen running man kostade 110 miljoner dollar. Ed Harris ( The abyss, the right stuff ) g\u00f6r en v\u00e4ldigt underh\u00e5llande\u00a0 cameo som Powells morfar.<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3998\" src=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2026\/03\/how-3.jpeg\" alt=\"\" width=\"300\" height=\"168\" \/><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BxBof_p3_es?si=UQRXZZjRR-fSt7R9\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<div id=\"smux08j\" style=\"display: none;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>How to make a killing \u00e4r en perfekt film f\u00f6r Glenn Powell. Handlingen utspelar sig i lyxiga och &#8221;high-stakes&#8221; milj\u00f6er med fokus p\u00e5 extrem rikedom, vilket ger filmen, den d\u00e4r eleganta k\u00e4nslan som finns i en James Bond-film. Powell som har ett produktionsbolag\u00a0 \u00e4r smart. Han vet att det sv\u00e5raste att skapa och \u00e4ven bland [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4003,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-3994","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film"],"_links":{"self":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3994"}],"version-history":[{"count":5,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3994\/revisions"}],"predecessor-version":[{"id":4004,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/3994\/revisions\/4004"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/media\/4003"}],"wp:attachment":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}