{"id":601,"date":"2022-11-25T07:50:30","date_gmt":"2022-11-25T07:50:30","guid":{"rendered":"https:\/\/veckotidningen.se\/?p=601"},"modified":"2022-11-25T07:55:45","modified_gmt":"2022-11-25T07:55:45","slug":"call-jane-underhallande-och-intressant-om-en-viktig-fraga","status":"publish","type":"post","link":"https:\/\/veckotidningen.se\/?p=601","title":{"rendered":"Call Jane- Underh\u00e5llande och intressant om en viktig fr\u00e5ga"},"content":{"rendered":"<blockquote><p>Elisabeth Banks spelar Joy, en traditionell amerikansk hemmafru\u00a0 som i slutet av 1960-talet, blir ov\u00e4ntat gravid igen.<\/p><\/blockquote>\n<h4>Hennes l\u00e4kare varnar henne f\u00f6r att den sena graviditet f\u00f6rs\u00e4tter henne i ett livshotande tillst\u00e5nd. Men sjukhusledningen, enbart best\u00e5ende av m\u00e4n, v\u00e4grar att g\u00f6ra ett undantag fr\u00e5n den str\u00e4nga anti abortlagstiftningen. Hon har ingenstans att v\u00e4nda sig, f\u00f6rr\u00e4n hon snubblar \u00f6ver &#8221;Jane&#8221;, en underjordisk grupp med vanliga kvinnor ledda av Virginia, som riskerar allt f\u00f6r att ge kvinnor som Joy valm\u00f6jligheter. De r\u00e4ddar inte bara hennes liv, utan ger henne ocks\u00e5 ett syfte: att hj\u00e4lpa andra.<\/h4>\n<figure id=\"attachment_619\" aria-describedby=\"caption-attachment-619\" style=\"width: 768px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-619 size-full\" src=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2022\/11\/call-jane-2.jpeg\" alt=\"\" width=\"768\" height=\"512\" srcset=\"https:\/\/veckotidningen.se\/wp-content\/uploads\/2022\/11\/call-jane-2.jpeg 768w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2022\/11\/call-jane-2-300x200.jpeg 300w, https:\/\/veckotidningen.se\/wp-content\/uploads\/2022\/11\/call-jane-2-696x464.jpeg 696w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption id=\"caption-attachment-619\" class=\"wp-caption-text\">CALL JANE, from left: Elizabeth Banks, Sigourney Weaver, 2022. ph: Wilson Webb \/ \u00a9 Roadside Attractions \/ Courtesy Everett Collection<\/figcaption><\/figure>\n<h4>Jag fick upp \u00f6gonen f\u00f6rsta g\u00e5ngen f\u00f6r Elisabeth Banks\u00a0 i Love and Mercy fr\u00e5n 2014, d\u00e4r hon spelar Brian Wilsons fru. Hon har en f\u00f6rm\u00e5ga att med sm\u00e5 medel f\u00e5 oss engagerande i hennes rollkarakt\u00e4r.\u00a0 Ledaren f\u00f6r Jane-gruppen spelas \u00f6vertygande\u00a0 av Sigourney Weaver. En film som handlar om abortfr\u00e5gan kan l\u00e4tt bli politiserad , men regiss\u00f6ren\u00a0 Phyllis Nagy lyckas g\u00f6ra filmen b\u00e5de underh\u00e5llande och intressant.<br \/>\nFilmen k\u00e4nns autentisk och \u00e4r \u00e4ven ett viktigt tids dokument.<\/h4>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Elisabeth Banks spelar Joy, en traditionell amerikansk hemmafru\u00a0 som i slutet av 1960-talet, blir ov\u00e4ntat gravid igen. Hennes l\u00e4kare varnar henne f\u00f6r att den sena graviditet f\u00f6rs\u00e4tter henne i ett livshotande tillst\u00e5nd. Men sjukhusledningen, enbart best\u00e5ende av m\u00e4n, v\u00e4grar att g\u00f6ra ett undantag fr\u00e5n den str\u00e4nga anti abortlagstiftningen. Hon har ingenstans att v\u00e4nda sig, f\u00f6rr\u00e4n [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":618,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[17],"tags":[],"class_list":["post-601","post","type-post","status-publish","format-standard","has-post-thumbnail","category-film"],"_links":{"self":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/601","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=601"}],"version-history":[{"count":3,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/601\/revisions"}],"predecessor-version":[{"id":620,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/posts\/601\/revisions\/620"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=\/wp\/v2\/media\/618"}],"wp:attachment":[{"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=601"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=601"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/veckotidningen.se\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=601"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}